From Ligeti's Le Grand Macabre at the Opernhaus in Zurich to Haydn's Il Mondo della Luna at the Philharmonie in Paris, the extraordinary artistic journey of Tito Ceccherini.

“Quelle chance pour les protagonistes de ce Mondo della luna d’avoir pu travailler avec un chef tel que Tito Ceccherini ! Dès l’ouverture, sa preste baguette apporte un allant et une pulsation qui perdurent tout au long de la représentation. Les jeunes instrumentistes de l’Orchestre du Conservatoire (Sarah Jegou au violon solo) forcent l’admiration par le relief, le tonus et les couleurs d’une exécution stylée. Ils disposent il est vrai du guide idoine en la personne du maestro italien” wrote Alain Cochard on ConcertClassic

Great success for John Axelrod with the Real Orquesta Sinfónica De Sevilla on Germany tour completely sold out, standing ovation and good reviews.

Die Welt from Hamburg writes : "During the concert Axelrod profiled the pure orchestral works imaginatively with excellent balanced sound, in which especially the saxophonist and the flutist enthused".

And the Hamburger Abendblatt: "John Axelrod succeded fantastically in exposing the many timbres with wood winds and strings used as soloists".

New beautiful review of the album Dialogues by Andrea Lucchesini, considered the record of the day for the French magazine Artalinna:

"...Quel pianiste !...Impossible de ne pas céder devant cette correspondance qui célèbre de flagrantes affinités électives, impossible surtout de ne pas s’apercevoir qu’on tient là une des plus belles versions des Moments musicaux. Qui les faisait si lyriques, si intenses ?"

 leggi

With a passionate Russian program, Stanislav Kochanovsky is back on the podium of the Rotterdam Philharmonic:

Rachmaninov Piano Concerto n. 3 - soloist Boris Giltburg
Tchaikovsky Symphony n. 6 "Patetique"

Concerts on February 7, 8, 9.

Superb performance of Tito Ceccherini in Le Grand Macabre at the Opernhaus Zurich:
"A master of his craft, conductor Tito Ceccherini confidently took the Philharmonia Zürich through two uninterrupted hours of Ligeti’s hellish and high-water sounds. [...] don’t see this production if you’re expecting something ordinary. Ordinary, it is not." wrote Bachtrack